Story time just got better with Prime Book Box, a subscription that delivers hand- picked children’s books every 1, 2, or 3 months — at 40% off List Price. Bozza: Image, Op. 38 – Flute [Eugene Bozza] on *FREE* shipping on qualifying offers. Eugène Joseph Bozza was a French composer and violinist. He remains one of the most . An unaccompanied work for solo flute, Image is a substantial piece that showcases many elements of flute technique including extreme registral and .

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Like the Ibert, Bozza uses the cadenza between the B section and the return of the A section in Image to showcase the most technically demanding elements in the work. His wife once confided that, “In fact, he was haunted by stage fright.

Eugène Bozza: Image Op. 38 (Flute) Opus 2

Pastorale Provencale” on YouTube His style shows many traditions of French Impressionist school mixed with the fundamental mastery of harmony of Bach.

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In both instances, there are 3 repetitions of this swirling figure, all gaining in intensity with each repetition to lead into the most virtuosic moment of each piece. It boxza difficult to say which piece influenced the other due to discrepancies among scholars regarding publication dates yet both pieces were written for Marcel Moyse.

Eugène Bozza – Wikipedia

What is clear, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically. Is there a joke buried in these lines that only Moyse would understand? After retirement in Bozza stayed in Valenciennes and continued to write music. Bozza was a prolific composer throughout his life.


Eugène Bozza

Is this intended to be the voice of Moyse? Since that instrument has fallen to obscurity, this solo is now frequently played on bass trombone or tuba.

ComiXology Thousands of Digital Comics. His work transcended the metropolitan mentality and he felt the music would be well served in this more pastoral area. Another major influence on his compositional style was imagee result of the cultural infusion which occurred during and following World War I.

He fell ill late in life and died in This is followed by 1 beat of triples and one beat of 4 sixteenth notes:.

What is similar, however, is that each section is connected by rhythmically intricate cadenzas. The faster, technically demanding A sections are enhanced by a slower, more lyrical B section. After 2 years of work he earned the Conservatorie’s Premier Prix for violin and secured the chair of concert master at L’orchestre Pasdeloup in This scherzo focuses on the image of clouds and showcases masterful technique on the saxophone.

Where they somehow commenting on the Moyse style? Though a trained violinist, Bozza wrote an enormous amount of music for winds during his life. Cocteau said, “We have had enough clouds, waves, aquaria, watersprites, and nocturnal perfumes. Bozza created a deep repertoire of music for Bassoon. This piece is one of the mainstays of the solo horn repertoire as well as one of the most difficult pieces overall.


Amazon Advertising Find, attract, and engage customers. This site uses Akismet to reduce spam. Reference editions such as the Grove Music Dictionary have very short entries or sometimes no entries whatsoever. Paris ConservatorieP. The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words.

Or maybe a commentary on the nature of a brooding performer who perhaps lets his thoughts bubble not once, not twice, but three times before he takes action sounds like a Taurus…. Most of his wind music was composed and published during his time in Valenciennes. His compositions can be placed within the Neo-Classicist genre which is also populated by Darius Milhaud and Igor Stravinsky. The use of the virtuosic cadenza sections in both works displays a clear similarity in function to connect the A section to the B and the B section to the return of the A section.


Email required Address never made public. Amazon Inspire Digital Educational Resources. The last time I played this piece in public was countless years ago at a studio recital as a Freshmen at DePauw University, long before I tackled the Ibert and Nielsen Concerti and other seminal works from the standard contemporary flute canon. He is the listener’s composer since the music is always interesting, and has a familiarity of melody and tonality that even the untrained ear can enjoy.